Coming soon

Gothic Ruins.
Twenty-one pieces. No supports.

A full table of 28mm gothic terrain — ruined walls, a bell tower, a colonnade, broken columns and rubble — designed in Melbourne and engineered so every piece prints with supports switched off.

Supports off isn't a claim, it's a measurement

Every overhang in this set was measured layer by layer rather than eyeballed. The widest unsupported span anywhere is 6.0 mm; everything else is 3.5 mm or less, and eight of the twenty-one pieces measure 0.0 mm. That is why there is no support material to cut off, no scarred surfaces, and no doubled print time.

Where a floor would have meant starting a storey in mid-air, it is a separate flat-printed part that drops onto 45° corbel ledges and locates on printed pegs. The broken column is two halves joined by a printed pin. Nothing needs glue.

Bell tower · 190 mm tall

Large ruin · drop-in floor

Colonnade

Two finishes, both in the pack

Every wall comes twice: weathered, with the masonry chewed and cracked the way a real ruin goes, and clean-cut, with the stonework crisp and the surface smooth. Same dimensions, same floor seats, same locating pegs — so the parts interchange and you can mix them on one table. The smooth files are also about thirty times lighter, which your slicer will thank you for.

What it looks like painted

A visualisation of the set painted and on the table, alongside 28 mm figures for scale.

Concept image, generated from our own render of the set — not a photograph, and the miniatures shown are not included. Real photographs go up as soon as the first sets come off the printer.

Every piece comes with its drawing

A dimensioned blueprint for all twenty-one pieces, so you know exactly what lands on the plate before you print it.

Print settings

• Supports: off — all of them
• Nozzle: 0.6 mm (0.4 works too — same files, slower and crisper)
• Layer height: 0.20 mm
• Infill: 5–10% is plenty
• Base plates match standard tournament footprint sizes